I hardly watch movies except when someone forces me to, or there is a strong trigger to watch. Last week, following the AR Rahman PR fiasco, I was tempted to revisit his music, rediscovered Taal, and in a jiffy, decided to watch it. I had watched it when it was released. I was in school, … Continue reading How Taal (1999) Mastered the Art of Calling Misogyny “Female-Centric”